Drishyam The Conclusion (2026) Box Office Verdict: Ajay Devgn’s Vijay Salgaonkar Returns to Break Every Record The Indian box office has not witnessed a Friday quite like this in recent memory. Drishyam: The Conclusion arrives in theatres on October 2, 2026, carrying the weight of a decade-long legacy that began with a quiet Malayalam thriller…
Udta Teer (2026) Trailer Review: Ayushmann Khurrana’s Amnesiac Pakistani Spy Is the Year’s Most Dangerous Comedy Arsenal The spy satire in Hindi cinema has, for the better part of a decade, been a testosterone-soaked exercise in chest-thumping nationalism — a genre where the dialogue is roared, the tricolour is waved like a weapon, and the…
Yezhu Kadal Yezhu Malai Review: Ram’s 8,000-Year-Old Immortal Love Story Derails at the Box Office Despite Nivin Pauly’s Career-Best Turn There are films that arrive in theatres carrying the weight of a filmmaker’s entire legacy on their shoulders, and then there is Yezhu Kadal Yezhu Malai—a mythological romance drama that dares to compress eight millennia…
Baththa (2026) Box Office Verdict: Vijay Sethupathi’s 1986 Madras Gangster Comedy Is A Slow-Burn Winner That Rewrites The Rules Of The Genre There is a moment in Baththa where the feared gangster of 1986 Madras, a man whose legend has been inflated by street corner whispers and the terrified imagination of children, finds himself locked…
Tujhya Aaila (2026) Review: The 85-Minute Marathi Firecracker That Turns a Vulgar Playground Game Into a Cast Study of Rural Masculinity Every so often, Marathi cinema produces a film that masquerades as a small, intimate coming-of-age drama and then quietly detonates like a crude bomb in a Satara schoolyard. Tujhya Aaila (translating, with deliberate provocation,…
Common Man (2026) Box Office Verdict: Can a ₹8 Crore Kannada Political Drama Survive the Vidhana Soudha Test? Every few years, Kannada cinema produces a political drama so audacious in its premise that the logline alone becomes a talking point in Bengaluru’s film circles. Common Man, released on 25 September 2026, is precisely that film…
Spark (2026) Kannada Movie Review: Niranjan Sudhindra’s Investigative Crime Thriller Ignites Bengaluru’s Banking Scam Underbelly The Kannada film industry has long been a fertile ground for gritty, socially conscious cinema that blends commercial entertainment with hard-hitting commentary on systemic failures. With Spark (2026), director D. Mahantesh Handral attempts to channel that tradition into a sharply…
Love Lottery (2026) Review: Akshay Oberoi’s Courtroom Thriller Bets Big on Male Pain, But Loses the Jackpot Hindi cinema has spent decades constructing the courtroom as a theatre of female catharsis—a space where wronged wives dismantle patriarchal monsters and juries double as national conscience. Arvind Pandey’s Love Lottery arrives with a provocative inversion: what happens…
Lenin Pandiyan (2026) Box Office Verdict: Can Ilaiyaraaja’s Magic & Gangai Amaran’s Swansong Save This ₹100 Crore Rural Crime Drama? In an industry obsessed with larger-than-life superstars, pan-Indian spectacles, and gravity-defying action blocks, Lenin Pandiyan arrives as a startling anomaly—a grounded, soil-stained narrative about a dead goat, a humiliated constable, and a ruthless sand mafia…
Mahakavya Shri Ramayan Katha 2026 Review: Why Dev Sharma & Anjali Arora’s Mythological Epic Crashed at the Box Office With Just ₹38 Lakh Worldwide The mythological genre in Hindi cinema has always been a double-edged sword. When mounted with conviction, devotion, and technical finesse, it can pull families into theatres in droves. When handled with…